Jane Addams

Historians erasing queerness from the narrative isn’t new. Jane Addams’ story has gone another way; her queerness is known, and cannot be erased. Without it, her legacy would not exist in the same way. Instead, scholars and historians have attempted to use her work to overshadow her queerness while claiming the opposite was happening. Acknowledging one part of her life does not erase another; we must look at all the parts of her life to understand who she is and why she lived the life she did.

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Elmyr de Hory Part II

He spoke of his life [in Ibiza], saying:

“It was my kind of place. People seemed to live on terribly small incomes in those days. Anyone who had two hundred dollars a month was considered rich. I became friendly with some of the up-and-coming artists like Edith Sommer, Clifford Smith, and David Walsh. They had great talent, and I had a little more money at my disposal than they did-I wanted to help them, so I bought their work. That’s why I called myself an art collector. I myself, when I first arrived, kept working on my own paintings. I still had hopes that one day I would be a success. I made a series of watercolors of the port and some views of the Old City. But as I got more and more involved with Fernand and Réal, I more and more hid the fact that I was an artist. They were furious when I told them I’d spoken to Ivan Spence, the Englishman who ran the local art gallery, about having a show of my own. Finally, I stopped doing my own work altogether.”

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Elmyr de Hory Part I

This article contains mentions of the Holocaust and suicide.

When discussing queer people and the law, it isn't rare for the two to conflict. Not only because of the many queer identities that are or have been illegal throughout the world, but also because once you question the morality of one law, it is not a large leap to wonder at the morality of others. As we look at the life of one of the most famous art forgers in the world, that conflict becomes particularly relevant.

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Nils Asther

"Like Garbo, I have been given many labels by the newspapers, ‘Very nearly as handsome as Valentino' . . . 'the masculine version of that mysterious fascination with Garbo's.' [But] I am tired of being just a screen lover, and I hope someday to get a chance to be myself. I am rather like Greta in that I like to be alone. I love peace and quiet. Hollywood is really no place for me. I stagnate here . . . I only feel awake when the air is fresh and crisp as in my native Scandinavia.” — Nils Asther

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Bayard Rustin: At the intersection of black and queer


Black. Gay. Activist. During an era when segregation and severe homophobia began rearing its ugly head in the U.S, an era when the AIDS crisis was just beginning to shake the world at its core Bayard Rustin was in the trenches fighting first for the civil rights of his fellow African American brothers and sisters, and later: the lesbian and gay community. Although Rustin faced harsh criticisms and scrutiny for his identity, his [queer] intervention concerned more than just the iconic mass march on Washington as he was an advocate and often silent leader in social movements for civil rights, socialism, nonviolence and gay rights. A man at the intersection of black and queer, devoted his life with purpose unlike any I’ve ever seen.

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Lou Sullivan


To make a community is to come together. For queer folks, we often have to fight for that community. But what of those who are a part of multiple communities; those who do the work to bring communities together? For Lou Sullivan, pioneer of the grassroots FTM movement, it meant paving the way for himself and other gay trans men.

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Frieda Belinfante Part 1


In a world like ours, women like Frieda Belinfante are dearly needed. The first woman in Europe to be artistic director, conductor of an ongoing professional orchestral ensemble, and cellist, she was a woman who put her passions to the side when it became evident that the world around her needed something more. Let us look together at Frieda Belinfante, a queer woman who shaped the world and protected those around her.

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György Faludy

György Faludy ranks high on the list of revolutionary bisexual writers. Considering the people he shares that category with, that is no small thing. A Jewish man who was born in Hungary and spent most of his life in love with his home country, he was the picture of a patriot. In that, he got in scuffles with the state more than once. Upon finding, again and again, the affection he lavished upon his homeland to be unreturned, he lavished more, from a distance when he could. A man who was remembered as having “... lived everywhere, met everybody, and was ousted from everywhere,” in the invitation to his 95th birthday party, we are excited to discuss with you the life of György Faludy.

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Chrystos

In this article, I will explore the life and impact of Menominee two-spirit lesbian activist, formidable writer, and fierce warrior with a blade to the throat of corruption and injustice; Chrystos. From a harsh upbringing riddled with sexual, physical and emotional abuse, mental illness, and the pain of surviving on the streets as a Native American in a world that silences their very existence, Chrystos self-educated themselves and became a voice for the broken, beaten, and oppressed. To this day, their accomplishments as an Indigenous rights activist and poet has been widely recognized, won numerous awards, and politics are an essential part of their writing with their life as a lesbian and Native American being unapologetically at the forefront of it all. For their own personal preferences, I will be using they/them/their pronouns.

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Kitty Genovese

The most famous picture of her—dark tousled hair cropped short and the whisper of a cheeky grin about her lips—is actually a mugshot, taken in 1961 for bookmaking. She ran a small betting system out of her place at Ev’s Eleventh Hour Sports Bar, taking patrons’ money for horseracing. Known for her skill and good humor, she had been brought into the police station and promptly let go. It was a minor charge, one that she conveniently never told her family back in Connecticut about. In most iterations, the placard with her charge and booking ID is cropped out of the image, leaving only the hint of the string blending into the plaid of her shirt. This is the picture that accompanied the 1964 New York Times headline:

37 Who Saw Murder Didn’t Call Police

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